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Conversations with Christian Metz


Artikelcode: 9789048526734






PRODUCT INFORMATIE
Product
e-books
Formaat
Adobe PDF met Adobe DRM
ePub versie
nvt
Bestandsgrootte
2297 kb
Pagina's
311
Categorie
e-books-Theater-, film- en televisiewetenschap algemeen
Uitgever
Amsterdam University Press
Imprint

Kopieerrechten
Het kopiëren van (delen van) de pagina's is niet toegestaan
Printrechten
Het printen van de pagina's is niet toegestaan
Voorleesfunctie
De voorleesfunctie is uitgeschakeld
Druk
1
ISBN13
9789048526734
ISTC
500099669
Subtitel
selected Interviews on Film Theory (1970-1991)
Verschijningsdatum
15-9-2017



Beschrijving

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signification au cinema, tome 1 et 2; Langage et cinéma; Le signifiant imaginaire; and L'Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized, and sometimes dismissed, but rarely ignored. This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline - concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis. Within the colloquial language of the interview, we witness Metz's initial formation, development, and application of these concepts. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. Metz also reveals a series of curious and unusual insights, including the contents of his unpublished (and now apparently 'lost') manuscript, the social networks operative in the French intellectual community during the 1970s and 1980s, Metz's relation to the Filmology movement, and his views on Gilles Deleuze's film theory.






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