e-books Engels

 | 

Theater-, film- en televisiewetenschap

 | 

Theater-, film- en televisiewetenschap algemeen




1 2 Volgende




A reader in international media piracy

A reader in international media piracy




Tilman Baumgärtel

Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Cine-dispositives

Cine-dispositives



This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives - the Foucauldian concept of a strategic and technical configuration of practices and discourses - from the emergence of film studies as a field in the 1960s to more recent uses of the concept. In particular, the contributors confront points of view and perspectives in the context of the rise and spread of new technologies, changes that are continually altering the boundaries and the spaces of cinema and thus demand new analysis and theoretization.






geen inkijk exemplaar beschikbaar



Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Cinema against spectacle




Jean-Louis Comolli

Jean-Louis Comollis six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an emancipated, critical spectator more pressing than ever. This volume brings together annotated translations of these two texts to provide an overview of Comollis activity as both a theorist and a filmmaker.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Cinema and narrative complexity




Steffen Hven

Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.






geen inkijk exemplaar beschikbaar



Euro 88.99


Voorraad: Direct te downloaden


Aantal  




Cinema's baroque flesh




Saige Walton

In 'Cinema's Baroque Flesh', Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including 'Caché', 'Strange Days', the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation.








Euro 88.99


Voorraad: Direct te downloaden


Aantal  




Color and empathy

Color and empathy




Christine N. Brinckmann

The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.






geen inkijk exemplaar beschikbaar



Euro 78.99


Voorraad: Direct te downloaden


Aantal  




Create or die




Stephen Lee Naish

Dennis Hopper (1936-2010) was one of most charismatic and protean figures to emerge from the American independent film movement of the 1960s and '70s, an incredibly compelling screen presence who helped give cult classics like 'Easy Rider' and 'Blue Velvet' their off-kilter appeal. But his artistic interests went far beyond acting, and this collection of essays is the first major work to take in Hopper as a creative artist in all his fields of endeavour, from acting and directing to photography, sculpture, and expressionist painting. Stephen Naish doesn't skimp on covering Hopper's best-known work, but he breaks new ground in putting it in context with his other creative enterprises, showing how one medium informs another, and how they offer a portrait of an artist who was restless, even flawed at times, but always aiming to live up to his motto: create or die.






geen inkijk exemplaar beschikbaar



Euro 29.99


Voorraad: Direct te downloaden


Aantal  




Digital Passages: Migrant Youth 2.0




Koen Leurs

Increasingly, young people live online, with the vast majority of their social and cultural interactions conducted through means other than face-to-face conversation. How does this transition impact the ways in which young migrants understand, negotiate, and perform identity? That's the question taken up by Digital Passages: Migrant Youth 2.0, a ground-breaking analysis of the ways that youth culture online interacts with issues of diaspora, gender, and belonging. Drawing on surveys, in-depth interviews, and ethnography, Koen Leurs builds an interdisciplinary portrait of online youth culture and the spaces it opens up for migrant youth to negotiate power relations and to promote intercultural understanding.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Early film theories in Italy, 1896-1922



How did Italian writers, scholars, clergymen, psychologists, members of parliament, and philosophers react to the advent of cinema? How did they establish a common language to discuss an invention that exceeded habits and expectations, and that transcended existing forms and categories of thought? This anthology gathers for the first time a large number of social discourses that in Italy tried to define and contextualize cinema from the 1890s to 1920s. What results is an impressive picture of a culture in distress at a 'scandalous' event and eager to appropriate it for the sake of modernization.






geen inkijk exemplaar beschikbaar



Euro 58.99


Voorraad: Direct te downloaden


Aantal  




Fanfiction and the author




Judith May Fathallah

Through a rigorous quantitative/qualitative discourse analysis - never before undertaken in relation to online fanfiction and its reception - Fanfiction and the Author demonstrates how fanfic relating to Sherlock, Game of Thrones and Supernatural works to change and consolidate the discourses of masculinity, authority, and authorship created through these TV texts. As a result, this book innovatively explores how fanfic - the unauthorized creative (re)writing of media fans - alters the discursive formations of popular culture. This, the first large-scale study of fanfic to employ an approach attentive to the sites, receptions, and fan rejections of fanfic, demonstrates that fanfic often legitimates itself through traditional notions of authorship. However, in its explicit discussion and deconstruction of the author figure, fan culture is also beginning to contest those traditional discourses of authority upon which it has depended, paving the way for new kinds of writing that challenge the authority of media professionals. AUP S17 catalogue text The production, reception and discussion of fanfiction is a major aspect of contemporary global media. Thus far, however, the genre has been subject to relatively little rigorous qualitative or quantitative study-a problem that Judith M. Fathallah remedies here through close analysis of fanfiction related to Sherlock, Supernatural, and Game of Thrones. Her large-scale study of the sites, reception, and fan rejections of fanfic demonstrate how the genre works to legitimate itself through traditional notions of authorship, even as it deconstructs the author figure and contests traditional discourses of authority. Through a process she identifies as the 'legitimation paradox', Fathallah demonstrates how fanfic hooks into and modifies the discourse of authority, and so opens new spaces for writing that challenges the authority of media professionals.






geen inkijk exemplaar beschikbaar



Euro 78.99


Voorraad: Direct te downloaden


Aantal  




Farocki/Godard




Volker Pantenburg

This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."






geen inkijk exemplaar beschikbaar



Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Feminisms

Feminisms



This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Film museum practice and film historiography




Bregt Lameris

This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.






geen inkijk exemplaar beschikbaar



Euro 88.99


Voorraad: Direct te downloaden


Aantal  




Hollywood is everywhere




Melis Behlil

Hollywood has a long tradition of bringing in emigre directors from around the world, dating back to the silent era. Today, as the film industry is ever more global, the people who make blockbuster movies seemingly reflect this tradition, hailing from many countries across the world. But that fact hides a fundamental difference, one that Melis Behlil examines in Hollywood is Everywhere: today's Hollywood studios are themselves transnational, with ownership structures and financial arrangements that stretch far beyond the borders of the United States. Seen in that context, today's international directors are less analogous to the emigre talent of the past than to ordinary transnational employees of other major global corporations.








Euro 78.99


Voorraad: Direct te downloaden


Aantal  




Humour and irony in Dutch post-war fiction film




Peter Verstraten

Dutch cinema, when discussed, is typically treated only in terms of pre-war films or documentaries, leaving post-war fictional film largely understudied. At the same time, a "Hollandse school," a term first coined in the 1980s, has developed through deadpan, ironic films like those of director and actor Alex van Warmerdam. Using seminal theories on humour and comedy, this book explores a number of Dutch films using the notion of categories, such as low-class comedies, neurotic romances, deliberate camp, and grotesque satire. With its original approach, this study makes surprising connections between Dutch films from various decades.






geen inkijk exemplaar beschikbaar



Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Hungarian Film, 1929-1947




Gábor Gergely

'What is Hungarian?' was the key question that exercised interwar Hungary. The trauma of the peace of 1918 sent the country searching for its true identity. Films were seen as part of the cultural discourse responsible for the shaping of national identity. As talkies took off, audiences, filmmakers, critics, and officials began to question the Hungary they saw on screen. The debate escalated quickly: was the Hungary familiar from the screens also familiar from 'real' life? Was Hungarian cinema truly Hungarian? Did the participation of Jewish Hungarians in the film industry make the sector and the films Jewish? Could Jews be Hungarian? The answers proposed were that the films were Jewish, and to be Hungarian was to be not Jewish. It was decided that Hungarian cinema should become purely Hungarian. Acts of Parliament were passed to ban Jewish Hungarians from above-the-line roles. This nominally racially pure industry produced over 200 films in 1938-1944. This book tells the story of Hungarian sound cinema and the debates that shaped and distorted screen representations of Hungary up to 1944, using original interdisciplinary research based on a fresh look at the film texts, their context of production, and the critical canon.






geen inkijk exemplaar beschikbaar



Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Images of occupation in Dutch film




Wendy Burke

Images of Occupation in Dutch Film is the first book in English to examine changing representations of the German wartime occupation of the Netherlands within Dutch post-war feature films made in the period 1962 to 1986. This important new study explores in detail the complex, evolving role played by film within Dutch cultural memory and asks to what extent film can fully embrace, transmit or assimilate the complexities and collective legacies of war and occupation. As Dutch public opinion towards the war altered over the post-war decades - attitudes to the 1940-1945 occupation, Jewish persecution, the enemy, deprivations, resistance and collaboration - so too shifted the presence - or indeed absence - of these elements in subsequent films. The historical trajectory of Dutch recovery and reconstruction: politically, economically and - most complex of all - psychologically, came to be revealed, often unconsciously, in the films from that time. Through detailed analyses of eight key film texts ranging from 1962's De Overval, to Verhoeven's Soldaat van Oranje and Rademakers' De Aanslag, this book offers valuable insights into the previously under-explored connections between filmic images of occupation and how these reflect parallel shifts in Dutch society's perceptions about the war at the times the films were made. It asks how a nation's films re-tell its history.






geen inkijk exemplaar beschikbaar



Euro 88.99


Voorraad: Direct te downloaden


Aantal  




Improvising cinema




Gilles Mouellic

This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.






geen inkijk exemplaar beschikbaar



Euro 44.99


Voorraad: Direct te downloaden


Aantal  




List cultures




Liam Cole Young

Inspired by the ubiquity of rankings, bullet points, and registries in contemporary 'list culture' and by Jack Goody's famous question 'What's in a list?' (1977), this book explores the list as a cultural and communicative form. It traces the list through a variety of contexts in an anarchaeological wandering (Zielinski) that reveals aspects of its role and function in human thought and action. I ask: how can this seemingly innocuous form be studied? What does its analysis tell us about historical and contemporary media environments and logistical networks? What can studying this unconventional object bring to Media Studies? The book contributes to contemporary debates around New Materialism and the post- or non-human turn. It is one of the first books from English-speaking Media Studies to offer a serious engagement with German theories of cultural techniques. In connecting these to Anglo-American approaches that address similar issues, the book provides an alternative engagement with German media theory for English audiences that have previously been exposed primarily to the more technical German tradition of Friedrich Kittler and Wolfgang Ernst.






geen inkijk exemplaar beschikbaar



Euro 78.99


Voorraad: Direct te downloaden


Aantal  




Medium, messenger, transmission

Medium, messenger, transmission




Sybille Krämer

This rich study provides a comprehensive introduction to media philosophy while offering a new perspective on the concept and function of transmission media in all systems of exchange. Krämer uses the figure of the messenger as a key metaphor, examining a diverse range of transmission events, including the circulation of money, translation of languages, angelic visitations, spread of infectious diseases, and processes of transference and counter-transference that occur during psychoanalysis.






geen inkijk exemplaar beschikbaar



Euro 78.99


Voorraad: Direct te downloaden


Aantal  




Melodrama after the tears



Melodrama, it is said, has expanded beyond the borders of genre and fiction to become a pervasive cultural mode. It encompasses distinct signifying practices and interpretive codes for meaning-making that help determine the parameters of identification and subject formation. From the public staging of personal suffering or the psychologization of the self in relation to consumer capitalism, to the emotionalization and sentimentalization of national politics, contributions to this volume address the following question: If melodramatic models of sense-making have become so culturally pervasive and emotionally persuasive, what is the political potential of melodramatic victimhood and where are its political limitations?

This volume represents both a condensation and an expansion in the growing field of melodrama studies. It condenses elements of theory on melodrama by bringing into focus what it recognizes to be the locus for subjective identification within melodramatic narratives: the victim. On the other hand, it provides an expansion by going beyond the common methodology of primarily examining fictive works - be they from the stage, the screen or the written word - for their explicit or latent commentary on and connection to the historical contexts within which they are produced. Inspiration for the volume is rooted in a curiosity about melodramatic forms purported to increasingly characterize aspects of both the private and the social sphere in occidental and western-oriented societies.






geen inkijk exemplaar beschikbaar



Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Modern ghost melodramas




Michael Walker

One of the most interesting but underexplored developments in recent cinema has been the international cycle of scary ghost movies stimulated by the success at the end of the 20th century of The Sixth Sense and the two Japanese Ringu films. In the wake of these films a series of ghost films has been made across a number of different countries, including the USA, Japan, South Korea, Spain, and Great Britain. This book looks at these films, but argues against the conventional view that they belong in the horror genre. Only a minority are horror films; the vast majority are more productively viewed as ghost melodramas. This opens the films up to analysis in terms of the theorisation of melodrama, in which psychoanalysis plays a central role. More than fifty representative films are discussed, many with close attention to textual detail, from a total of eleven different countries. Revealing narrative patterns, tropes, themes, and motifs, the book is a stimulating and insightful exploration of what is, in critical terms, a new generic area.






geen inkijk exemplaar beschikbaar



Euro 118.99


Voorraad: Direct te downloaden


Aantal  




Playful identities

Playful identities



In this edited volume, eighteen scholars examine the increasing role of digital media technologies in identity construction through play. Going beyond computer games, this interdisciplinary collection argues that present-day play and games are not only appropriate metaphors for capturing postmodern human identities, but are in fact the means by which people create their identity. From discussions of World of Warcraft and Foursquare to digital cartographies, the combined essays form a groundbreaking volume that features the most recent insights in play and game studies, media research, and identity studies.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Preserving and exhibiting media art

Preserving and exhibiting media art




Julia Noordegraaf

This important and first-of-its-kind collection addresses the emerging challenges in the field of media art preservation and exhibition, providing an outline for the training of professionals in this field. Since the emergence of time-based media such as film, video and digital technology, artists have used them to experiment with their potential. The resulting artworks, with their basis in rapidly developing technologies that cross over into other domains such as broadcasting and social media, have challenged the traditional infrastructures for the collection, preservation and exhibition of art. Addressing these challenges, the authors provide a historical and theoretical survey of the field, and introduce students to the challenges and difficulties of preserving and exhibiting media art through a series of first-hand case studies. Situated at the threshold between archival practices and film and media theory, it also makes a strong contribution to the growing literature on archive theory and archival practices.






geen inkijk exemplaar beschikbaar



Euro 28.99


Voorraad: Direct te downloaden


Aantal  




Sergei M. Eisenstein



Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 ­ een jaar voor zijn dood ­ aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.






geen inkijk exemplaar beschikbaar



Euro 39.99


Voorraad: Direct te downloaden


Aantal  




Soul of the documentary

Soul of the documentary




Ilona Hongisto

'Soul of the Documentary' offers a ground-breaking new approach to understanding documentary cinema. Working against current thinking, Ilona Hongisto argues that the documentary does more than merely represent what is - by capturing actual people, places, and events - but also expresses realities to come. She makes a case for the form as one that is not bound by predetermined ideas or rules, and through close readings of a heterogeneous body of films, she imbues the tradition with a new sense of urgency and vitality.






geen inkijk exemplaar beschikbaar



Euro 28.99


Voorraad: Direct te downloaden


Aantal  




Sovereign violence




Steve Choe

South Korea is home to one of the most vibrant film industries in the world today, producing movies for a strong domestic market that are also drawing the attention of audiences worldwide. This book presents a comprehensive analysis of some of the most well-known and incendiary South Korean films of the millennial decade from nine major directors. Building his analysis on contemporary film theory and philosophy, as well as interviews and other primary sources, Steve Choe makes a case that these often violent films pose urgent ethical dilemmas central to life in the age of neoliberal globalization.








Euro 98.99


Voorraad: Direct te downloaden


Aantal  




Tantalisingly close

Tantalisingly close




Imar O. de Vries

Elk medium was ooit nieuw en gaf aanleiding tot de meest fantastische speculaties over de verbetering van communicatie. In de mediageschiedenis treffen we steeds opnieuw verhalen die vertellen dat afstanden verdwijnen, dat we elkaar beter gaan begrijpen en dat alle kennis nu eindelijk echt binnen handbereik is. Ook bij de hedendaagse mobiele draadl






geen inkijk exemplaar beschikbaar



Euro 29.99


Voorraad: Direct te downloaden


Aantal  




The cinema of urban crisis

The cinema of urban crisis




Lawrence Webb

In the 1970s, cities across the United States and Western Europe faced a deep social and political crisis that challenged established principles of planning, economics and urban theory. At the same time, film industries experienced a parallel process of transition, the effects of which rippled through the aesthetic and narrative form of the decade's cinema. 'The Cinema of Urban Crisis' traces a new path through the cinematic legacy of the 1970s by drawing together these intertwined histories of urban and cultural change. Bringing issues of space and place to the fore, the book unpacks the geographical and spatial dynamics of film movements from the New Hollywood to the New German Cinema, showing how the crisis of the seventies and the emerging 'postindustrial' economy brought film and the city together in new configurations. Chapters cover a range of cities on both sides of the Atlantic, from New York, Philadelphia and San Francisco to London, Paris and Berlin. Integrating analysis of film industries and production practices with detailed considerations of individual texts, the book offers strikingly original close analyses of a wide range of films, from New Hollywood (The Conversation, The King of Marvin Gardens, Rocky) to European art cinema (Alice in the Cities, The Passenger, Tout va Bien) and popular international genres such as the political thriller and the crime film. Focusing on the aesthetic and representational strategies of these films, the book argues that the decade's cinema engaged with - and helped to shape - the passage from the 'urban crisis' of the late sixties to the neoliberal 'urban renaissance' of the early eighties. Splicing ideas from film studies with urban geography and architectural history, the book offers a fresh perspective on a rich period of film history and opens up new directions for critical engagement between film and urban studies.






geen inkijk exemplaar beschikbaar



Euro 48.99


Voorraad: Direct te downloaden


Aantal  




The datafied society



As more and more aspects of everyday life are turned into machine-readable data, researchers are provided with rich resources for researching society. The novel methods and innovative tools to work with this data not only require new knowledge and skills, but also raise issues concerning the practices of investigation and publication. This book critically reflects on the role of data in academia and society and challenges overly optimistic expectations considering data practices as means for understanding social reality. It introduces its readers to the practices and methods for data analysis and visualization and raises questions not only about the politics of data tools, but also about the ethics in collecting, sifting through data, and presenting data research.






geen inkijk exemplaar beschikbaar



Euro 78.99


Voorraad: Direct te downloaden


Aantal  





1 2 Volgende